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Ogatama (sacred magnolia)
natural pigments
Miniture version of Māori Cloak 'Kākahu' or waistband Nga Puhi
The philosophy behind this technique is to treat the repair as part of the object’s history as opposed to treating the repair as something to hide as if it never happened
This collection of work was created by a collaboration between Steven and John's exhibition at Public Record ' The Fading Memory of the Scribe'
XL Vase art Ogatama (sacred magnolia)Elenas aim is not perfection, on the contrary, her belief is 'imperfections make the bowls come alive, make them easier to relate to, make them more human. 'Natures perfection lies within its own asymmetry.' Materials: Clay & ash glaze with Anagama firing Size: approx. W330 x H500mm Handcrafted in Auckland, New Zealand *Shino glaze originates from the late 16th century in the Mino region of Japan where its loosely thrown pots and spontaneous
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