INQUISITION in the PHILIPPINES HUNDRED STORIES film —María del Rocío Ortuño Casanova

—María del Rocío Ortuño Casanova

but also the anonymous artists and builders who together worked on a hauntingly original and distinctive regional constructive art to form a unique “Cagayan style” from the late sixteenth until the nineteenth century

and members of the academic community to learn about the roles of Filipino women across various areas of community engagement throughout our history

In this new installment under the Académica Filipina collection

as well as quizzical have pushed the boundaries of Philippine cinema and heightened its visibility in the international scene

INQUISITION in the PHILIPPINES HUNDRED STORIES film —María del Rocío Ortuño CasanovaINQUISITION in the PHILIPPINES HUNDRED STORIES The word Inquisition inevitably suggests images of torture and bodies engulfed in flames. However, these stories do not correspond to such clichs. These stories are broken down from complaints and processes contained in the archives of the court of the Inquisition of Mexico, on which the offices of the commissioners of the Holy Office in the Philippines depended. In the shadows of pain and torment, we