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Mendelssohn, F.: Piano Quartet in C minor, Op.1 (violin, viola, cello, piano) cbm 163) is sometimes called the

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163) is sometimes called the "Cello Quintet" because it is scored for a standard string quartet plus an extra cello instead of the extra viola which is more usual in string quintets

which have been arranged for string quartet

Also Sprach Zarathustra

simulated concert hall acoustic environment without the need for external signal processing

For instance his violin methods are still useful a century later and his studies remain second to none

Mendelssohn, F.: Piano Quartet in C minor, Op.1 (violin, viola, cello, piano) cbm 163) is sometimes called the

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